Dec 7, 2010, 04:17
I have to start with a little story...
I am working on a series with fruits. I want this to be on white, one image will be, let's say wide angle, and the other one will be showing the fruit more in detail.
Every now and then I gather my friends to show my latest works, they don't have anything to do with photography, so their comment is very interesting. When I showed my finished picture of the clementine to one of my friends she immediately told me "Hey, but your clementine is not shining" as if it were something wrong in the picture, something that she was expecting to see to believe that it was indeed a real clementine.
This is the picture I showed.
#1
![[Image: IMG_5380-Edit-2.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_5380-Edit-2.jpg)
When I showed this one she moved her head like saying yes, that is a clementine.
#2
![[Image: IMG_5380.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_5380.jpg)
Since then, I have been thinking how much of highlight and shadows one has to leave to make things look real. I learned to walk in the safe side avoiding highlights, under exposed shadows to have all information, detail of the image, but how much people needs them to believe what they are seeing. How much the importance I give to the histogram is not healthy for my pictures.
When Toad said he saw the segments of the clementine not so juicy, I thought about my friend's comment... I decided to make juicy clementines.
Here is the result.
Freshly cut with diffused light... you can see that even it has a drop of juice...
#3
![[Image: IMG_6047.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6047.jpg)
Soak in water and again with diffuse light.
#4
![[Image: IMG_6052.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6052.jpg)
Soak in water but this time with natural light and leaving the highlight as they were seen in my setup.
#5
![[Image: IMG_6056.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6056.jpg)
Here with a thin brush I designed where I wanted my highlights.
#6
![[Image: IMG_6061.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6061.jpg)
Sorry about the setup, but I just got what I had at hand.
The highlight give a lot of light to the segments and I see a change. I normally take my stills with diffuse light, so I was thinking that maybe to get some highlights in the clementine or any other subject I can make a double exposure of my stills, one with hard light and the other one with diffused light. Then I could take the highlights I need with mask. I am really excited about the idea! This is something I have to try...
Thanks for your comments and interest in making juicy clementines...
I am working on a series with fruits. I want this to be on white, one image will be, let's say wide angle, and the other one will be showing the fruit more in detail.
Every now and then I gather my friends to show my latest works, they don't have anything to do with photography, so their comment is very interesting. When I showed my finished picture of the clementine to one of my friends she immediately told me "Hey, but your clementine is not shining" as if it were something wrong in the picture, something that she was expecting to see to believe that it was indeed a real clementine.
This is the picture I showed.
#1
![[Image: IMG_5380-Edit-2.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_5380-Edit-2.jpg)
When I showed this one she moved her head like saying yes, that is a clementine.
#2
![[Image: IMG_5380.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_5380.jpg)
Since then, I have been thinking how much of highlight and shadows one has to leave to make things look real. I learned to walk in the safe side avoiding highlights, under exposed shadows to have all information, detail of the image, but how much people needs them to believe what they are seeing. How much the importance I give to the histogram is not healthy for my pictures.
When Toad said he saw the segments of the clementine not so juicy, I thought about my friend's comment... I decided to make juicy clementines.
Here is the result.
Freshly cut with diffused light... you can see that even it has a drop of juice...
#3
![[Image: IMG_6047.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6047.jpg)
Soak in water and again with diffuse light.
#4
![[Image: IMG_6052.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6052.jpg)
Soak in water but this time with natural light and leaving the highlight as they were seen in my setup.
#5
![[Image: IMG_6056.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6056.jpg)
Here with a thin brush I designed where I wanted my highlights.
#6
![[Image: IMG_6061.jpg]](http://www.shuttertalk.com/forums/images/upload/IMG_6061.jpg)
Sorry about the setup, but I just got what I had at hand.
The highlight give a lot of light to the segments and I see a change. I normally take my stills with diffuse light, so I was thinking that maybe to get some highlights in the clementine or any other subject I can make a double exposure of my stills, one with hard light and the other one with diffused light. Then I could take the highlights I need with mask. I am really excited about the idea! This is something I have to try...

Thanks for your comments and interest in making juicy clementines...
