Mar 31, 2008, 10:08
I just had to post this one, as it's one of my favourites:
Sorry to say this yet again, but this lens blows me away. Here again we're at f22 at the widest setting of 16mm. I've never once been able to enjoy f22 on any of my lenses since before I went digital, and it's like seeing an old friend again.(..plus chance to wrestle with Mr Manfrotto the tripe-hound..:o.)
I've deliberately once more kept the image totally uncropped, as I just love getting the most out of its corners....you'll see how detail is kept all the way. Not a huge amount of unwanted distortion either.
Method:
1. 2 conversions of the same raw file, each to mono, with some simulated red filtration; I did these about 2.5 stops under and over.
2. Made a combination of highlights/shadow detail in the free version of Photomatix.
3.Opened up the result in PS, made 2 passes with Smart Sharpen, duplicated as another layer.
4. Set the copied layer to Overlay, inverted the image and added gaussian blur.
5. Blended the second layer into the first, choosing an opacity that brought out the desired contrast...these steps 3 to 5 are the "contrast masking" we've heard about.
6.I then had enough detail to burn in shadow detail and dodge in highlight areas. Voila.
You can see how the lens nicely picks up the faint sheen in the pavement from the first few raindrops too.
![[Image: 27%20street%20HDR%20web.jpg]](http://www.shuttertalk.com/forums/images/upload/27%20street%20HDR%20web.jpg)
Sorry to say this yet again, but this lens blows me away. Here again we're at f22 at the widest setting of 16mm. I've never once been able to enjoy f22 on any of my lenses since before I went digital, and it's like seeing an old friend again.(..plus chance to wrestle with Mr Manfrotto the tripe-hound..:o.)
I've deliberately once more kept the image totally uncropped, as I just love getting the most out of its corners....you'll see how detail is kept all the way. Not a huge amount of unwanted distortion either.
Method:
1. 2 conversions of the same raw file, each to mono, with some simulated red filtration; I did these about 2.5 stops under and over.
2. Made a combination of highlights/shadow detail in the free version of Photomatix.
3.Opened up the result in PS, made 2 passes with Smart Sharpen, duplicated as another layer.
4. Set the copied layer to Overlay, inverted the image and added gaussian blur.
5. Blended the second layer into the first, choosing an opacity that brought out the desired contrast...these steps 3 to 5 are the "contrast masking" we've heard about.
6.I then had enough detail to burn in shadow detail and dodge in highlight areas. Voila.
You can see how the lens nicely picks up the faint sheen in the pavement from the first few raindrops too.
![[Image: 27%20street%20HDR%20web.jpg]](http://www.shuttertalk.com/forums/images/upload/27%20street%20HDR%20web.jpg)